Harold Monro Quotes & Sayings

What I saw was just one eye
In the dawn as I was going:
A bird can carry all the sky
In that little button glowing.
Never in my life I went
So deep into the firmament. — Harold Monro

Cupid has offered his arrows for Jesus to try;He has offered his bow for the game.But Jesus went weeping away, and left him there wondering why. — Harold Monro

Here is the soundless cypress on the lawn:
It listens, listens. Taller trees beyond
Listen. The moon at the unruffled pond
Stares. And you sing, you sing.
That star-enchanted song falls through the air
From lawn to lawn down terraces of sound,
Darts in white arrows on the shadowed ground;
And all the night you sing.
My dreams are flowers to which you are a bee
As all night long I listen, and my brain
Receives your song, then loses it again
In moonlight on the lawn.
Now is your voice a marble high and white,
Then like a mist on fields of paradise,
Now is a raging fire, then is like ice,
Then breaks, and it is dawn. — Harold Monro

When the tea is brought at five o'clock
And all the neat curtains are drawn with care,
The little black cat with bright green eyes
Is suddenly purring there. — Harold Monro

O gentle vision in the dawn:
My spirit over faint cool water glides,
Child of the day,
To thee;
And thou art drawn
By kindred impulse over silver tides
The dreamy way
To me. — Harold Monro

To the acquisition of the rare quality of politeness, so much of the enlightened understanding is necessary that I cannot but consider every book in every science, which tends to make us wiser, and of course better men, as a treatise on a more enlarged system of politeness. — Harold Monro

The white saucer like some full moon descends
At last from the clouds of the table above;
She sighs and dreams and thrills and glows,
Transfigured with love.
She nestles over the shining rim,
Buries her chin in the creamy sea;
Her tail hangs loose; each drowsy paw
Is doubled under each bending knee.
A long, dim ecstasy holds her life;
Her world is an infinite shapeless white,
Till her tongue has curled the last holy drop,
Then she sinks back into the night,
Draws and dips her body to heap
Her sleepy nerves in the great arm-chair,
Lies defeated and buried deep
Three or four hours unconscious there. — Harold Monro

The public, as a whole, does not demand or appreciate the pure expression of beauty. Its cultured members expect to find in poetry, if anything, repose from material and nervous anxiety; an apt or chiselled phrase strokes the appetites and tickles the imagination. The more general public merely enjoys its platitudes and truisms jerked on to the understanding in line and rhyme; truth put into metre sounds overwhelmingly true. — Harold Monro

Overheard on a Saltmarsh"

Nymph, nymph, what are your beads?

Green glass, goblin. Why do you stare at them?

Give them me.
No.

Give them me. Give them me.
No.

Then I will howl all night in the reeds,
Lie in the mud and howl for them.

Goblin, why do you love them so?

They are better than stars or water,
Better than voices of winds that sing,
Better than any man's fair daughter,
Your green glass beads on a silver ring.

Hush, I stole them out of the moon.

Give me your beads, I want them.
No.

I will howl in the deep lagoon
For your green glass beads, I love them so.
Give them me. Give them.
No. — Harold Monro