Bryan Burrough Quotes & Sayings

There's always a slight tension when you sell a book to Hollywood, especially a nonfiction book. The author wants his story told intact; the nonfiction author wants it told accurately. — Bryan Burrough

To the generations of Americans raised since World War 2, the identities of criminals such as Charles "Pretty Boy" Floyd, Baby Face Nelson, "Ma" Barker, John Dillenger, and Clyde Barrow are no more real than are Luke Skywalker and Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time. They were real. — Bryan Burrough

When you're going off to prison for the rest of your life, a lot of people do feel the need to explain themselves to all the people they have known. — Bryan Burrough

By mid-summer only Ma Barker remained in Chicago, lost in her jigsaw puzzles. Karpis drove over to visit her one weekend and found she was doing surprisingly well. He and Dock took her to see a movie. To their horror, the film was preceded by a newsreel warning moviegoers to be on the lookout for Dillinger, Nelson, Pretty Boy Floyd, Karpis, and the Barkers. Karpis scrunched low in his seat as their pictures flashed on the screen. "One of these men may be sitting next to you," the announcer said. Karpis pulled his hat low over his forehead. — Bryan Burrough

Planning, gentlemen, is 'What are you going to do next year that's different from what you did this year?'" he told them. "All I want is five items. — Bryan Burrough

From time to time, just about every 'Vanity Fair' writer has a chance to sell rights to an article or a book to Hollywood. — Bryan Burrough

Hands up! Hands up! Everybody on the floor!" The effect was akin to three wild-eyed berserkers storming a prayer meeting. — Bryan Burrough

People have completely forgotten that in 1972 we had over nineteen hundred domestic bombings in the United States," notes a retired FBI agent, Max Noel. "People don't want to listen to that. They can't believe it. One bombing now and everyone gets excited. In 1972? It was every day. Buildings getting bombed, policemen getting killed. It was commonplace. — Bryan Burrough

You never know what to expect when you're a writer visiting a movie set. — Bryan Burrough

Everyone in the room knew about leveraged buyouts, often called LBOs. In an LBO, a small group of senior executives, usually working with a Wall Street partner, proposes to buy its company from public shareholders, using massive amounts of borrowed money. Critics of this procedure called it stealing the company from its owners and fretted that the growing mountain of corporate debt was hindering America's ability to compete abroad. Everyone knew LBOs meant deep cuts in research and every other imaginable budget, all sacrificed to pay off debt. Proponents insisted that companies forced to meet steep debt payments grew lean and mean. On one thing they all agreed: The executives who launched LBOs got filthy rich. — Bryan Burrough

I must be the last person online to have been struck with this realization, but it's amazing how the Internet has empowered hundreds of ordinary people, turning them into little Diane Sawyers and Anderson Coopers as they snap and blog away. — Bryan Burrough

It is important to remember that, as Ken Auletta wrote in his definitive Greed and Glory on Wall Street, "no reporter can with 100 percent accuracy re-create events that occurred some time before. Memories play tricks on participants, the more so when the outcome has become clear. A reporter tries to guard against inaccuracies by checking with a variety of sources, but it is useful for a reader - and an author - to be humbled by this journalistic limitation. — Bryan Burrough

When one looks back across a chasm of seventy years, through a prism of pulp fiction and bad gangster movies, there is a tendency to view the events of 1933-34 as mythic, as folkloric. To the generations of Americans raised since World War II, the identities of criminals such as Charles "Pretty Boy" Floyd, Baby Face Nelson, "Ma" Barker, John Dillinger, and Clyde Barrow are no more real than are Luke Skywalker or Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time. — Bryan Burrough

The underground is not a place but a way of life. You can be underground most anywhere, from the Upper West Side of Manhattan to Hermosa Beach, California. — Bryan Burrough

Clarence Hurt was driving, and he got lost. "Does anyone know where the Post Office Building is?" Hurt asked at one point.

"I can tell you," Karpis said.

"How do you know where it is?" asked Clyde Tolson, who sat in the backseat with Hoover.

"We were thinking of robbing it," Karpis said. — Bryan Burrough

Just being able to get paid to do something you love is a wonderful thing. That said, a writer's daily routine, unless you're Dominick Dunne, isn't exactly glamorous. Much of it amounts to drudgery, staring at a computer screen all day in a room by yourself, juggling nouns and verbs to make a demanding editor happy. — Bryan Burrough

American writers, at least those of us who are fortunate enough to support ourselves in the field, are by and large a lucky lot. — Bryan Burrough

But there was no denying Purvis's ineptitude in the Dillinger hunt. Suspects were found then lost. His informants were hopeless. He raided the wrong apartments. He built no bridges to the Chicago police while annoying other departments. He'd had his car stolen from in front of his house. — Bryan Burrough

Art has now done for Bonnie Parker and Clyde Barrow something they could never achieve in life: it has taken a shark-eyed multiple murderer and his deluded girlfriend and transformed them into sympathetic characters, imbuing them with a cuddly likability they did not possess, and a cultural significance they do not deserve. — Bryan Burrough

He who's not busy being born is busy dying." Tony — Bryan Burrough

I'm accustomed to Internet forums where rudeness and incivility are the rule, where too many people seem to take pride in their insults. — Bryan Burrough

I don't know the figures, but Hollywood must buy 100 rights for every movie that actually gets made. — Bryan Burrough

Hoover viewed the Dillinger case as a potential quagmire and long resisted being drawn into it. — Bryan Burrough

All the way back in 1999, when I first stumbled upon the idea of a project tracking John Dillinger and Baby Face Nelson and all the major Depression-era bank robbers, I thought the subject was too big to be a single book. Instead, with a friend's help, I pitched the idea as a miniseries to HBO. To my amazement, they bought it. — Bryan Burrough

'Bonnie and Clyde,' while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers. — Bryan Burrough

I've read the 'Public Enemies' script and, no, it's not 100 percent historically accurate. But it's by far the closest thing to fact Hollywood has attempted, and for that, I am both excited and quietly relieved. — Bryan Burrough

an odd-job detective agency with fuzzy lines of authority and responsibility. — Bryan Burrough